大卫·弗雷泽和朋友的木版画

牙齿和指甲的最新展览就是当代的，但它的功能的版画技术可以追溯到两个多世纪。 I first came across woodengraving in the prints of ThomasBewick.我第一次碰到木版画中的版画托马斯BEWICK。

他用金属雕刻工具对木材制作细纹的endgrain（对于块木刻从木材的长度制成，所以木纹通常在印刷可见，这是难以刻精度）恢复在本领域有木因为本发明的遭受了印刷的金属雕刻。Endgrain块总是非常小，平均约为2×5厘米，因为他们从小硬木树，如樱桃或黄杨木制作。 Australian trees are not usually suitable, so theblocks you can buy here are imported from England orAmerica.澳大利亚树木通常不适合，所以你可以在这里买块被从英国或美国进口。

些天来，木版画是一种罕见的和专门的艺术。 Thereare very few Australian artists who specialise in the technique, sowe are privileged to have an exhibition of the work of David Frazer currently at Tooth andNail.很少有澳大利亚艺术家谁专门的技术，所以我们很荣幸有一个展览工作的大卫·弗雷泽目前在牙齿和指甲。

准备打印-木版正面朝上放置在压机座上，然后将打印纸放置在它。 The 'packing' of folded scrap paper on tophelps to make a crisper print在上面折叠废纸的'包装'有助于使一个更清晰的打印
它需要很多的努力来推动床的新闻下！ Thenthe handle is pulled from right to left and the whole weight of thepress descends on the little woodblock.然后将手柄从右边拉到左边和新闻界的整体重量下降的小木刻。

Inaddition, there are wood engravings by former students of David'sas well as by some of the small number of South Australian artistswho already practise thiscraft.此外，有木版画由​​大卫以及由一些少数的南澳大利亚艺术家谁已经修炼这门手艺的从前的学生。The exhibition iscurated by Simone Tippett and DeborahPrior.该展览是由策展人西蒙蒂皮特和狄波拉之前。

西蒙娜·蒂皮特在牙齿和指甲展览会开幕
Thecraft remains as fresh now as it was in the eighteenth century, asnew artists are finding new ways to re-interpret and explore, enjoy and be intrigued by this fascinatingmedium, and make sure you bring your wallet to take advantage ofthe extremely reasonable prices of the works onshow.该工艺仍然是新鲜的，因为它现在是在十八世纪，随着新的艺术家正在寻找新的方法来重新诠释传统和探索，欣赏和这个迷人的媒体被吸引，并确保你把你的钱包拿利用上展示的作品非常合理的价格。We hope David may be persuaded to come back andrun more workshops next year, so if you fancy trying your hand atthis new medium then get in touch with Simone at Union StPrintmakers.我们希望大卫可能会被劝回来，并运行更多的研讨会，明年，所以如果你喜欢尝试你的手在这个新媒体，然后获得与西蒙娜触摸在UNIONST版画 。

梦想与现实之间的磨合让我读懂很多生活的语言，风虽改变了方向，却没有改变我的行程-----

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